Categories of Art (4): The Colossal Leap – Of a Hero & Of Imagination

Hanuman (Courtesy:
Hanuman (Courtesy:

With his head then held so high

Gained he size for task on hand.

Sundar Kand! That is where I had first heard of Hanuman’s colossal leap across the ocean to Ravana’s Lanka. In this part of the epic – Ramayana, Hanuman prepares for traveling across the ocean to Lanka where Ravana has kept Sita after abducting her. Kand in Hindi language means a ‘canto’ of a poem. Sundar is another name of Hanuman (his mother Anjana called him Sundar) and this canto of Ramayan bears his name because in this section he is the hero. It talks of how Hanuman leapt across to Lanka and searched for Sita. When he finds her, he urges her to return with him but Sita refuses. She insists that Ram must come to Lanka and avenge her insult. It is a fascinating account of Hanuman’s abilities, his challenges and finally how he sets Lanka on fire when his tail was set on fire after being caught.
This particular episode of Ramayana is considered auspicious to hear as well as read by Hindus. While a written version of it exists as a part of Valmiki’s Ramcharitramanas it is primarily an oral tradition. It is performed by bhajan mandalis (music troupes) across the Hindi speaking belt of Uttar Pradesh and Madhya Pradesh during festivals or an auspicious occasion in the family. On one such occasion, we had the Sundar Kand being performed in our house and it was to be sung through the night as the recitals are interspersed with explanations. The troupe which performs this is comprised of men. Almost all of them have learnt the epic orally and by being a part of a troupe as they grew up. The musical instruments that accompany this recital are – dholak, manjeera and harmonium. The recitals are often very energetic and for a first timer a very interesting experience to hear it being sung in a dramatized and sometimes boisterous manner.
I was in my early twenties. My encounters with religion, scriptures and traditions of my family were rather limited. It is around this time that I participate in this night long recital of Sundar Kand. The prose as they flowed in Awadhi language drew me in completely. I was drawn in by the lyrical flow. As the poem progressed the listener is offered a magnificent persona and details of his actions as he prepared to take that leap across the ocean into something unknown and uncharted.
Listening to it one could almost feel the whole scene coming alive – Hanuman attaining a humungous size, the surging tide, full moon, the chaos amongst other creatures, the awe, the daring act that he was about to perform, the gaze he casts on the distant land standing on the shore and the breeze blowing in his face. Recalling this experience now I am inclined to think that it opened up to hitherto unexplored aspects of my own life. The picture of my ‘person’ gets more detailed now and in the following ways –

  1.  Orientation: Listening to Sundar Kand offered a sort of orientation to me with respect to the religion and belief system that my family espouses. It tells me of the value system that my people align to and look upon in times good and bad. It suggests of a certain way of life, a conduct that one might adopt through Hanuman’s story. The symbolism is difficult to miss. Even for a kid, the realization – that aha! moment – which suddenly seems to connect that story heard years back to the course of life in the present might have to wait but nevertheless it happens. The process may take time, it has been seeded. With oral traditions like these it becomes easier for a person to locate himself in the diverse range of faith and value systems that exist in the world around us. It is a cultural, social and religious marker. This, the recital of Sundar Kand did for me.
  2. Imagination: Sample this from an English translation of Sundar Kand,

While huge boulders slid in scores
Out came smoke in thick columns.
With that squeeze it came under
Cried all creatures in their caves.
Frightened was no less wildlife
Heard were their howls world over.
In their state of confusion
Serpents with all fiery fangs
Marks of swastik on their hoods
Spewed then venom in profusion.
Venom they spit was fireball like
Turned to tiny stones there rocks.

This detailed description of what was happening all around brings such a completely different world alive. It is as if an almost real bridge is built by the recital to walk from the present world where the story is only words to a world where this is all happening in real time. It gets overwhelming as one listens to the hero going about his work rescuing, fighting, saving and returning to his land. The range of experiences has the potential to engage a kid, a grandma and a young man – all at the same time. And of course it offers sufficient imaginative freedom for each one of them to make their own meanings as they together navigate the story.

3. Travel: Years later, as I stood in the shallow waters and amidst the softly breaking waves on the shores of Dhanushkodi – the place from where Hanuman was said to have taken that ‘colossal leap’ in Sundar Kand – I am almost drawn into that story again. The real and the mythic begin to blend into each other in a manner that the experience of standing in that place acquires a whole new meaning. The moment is stirring. That hero of my story is not a God, he is me now. I am him!

Such is the effect of a story that I heard from that night in a small town in central India.

Note: This was a response to a writing assignment in an arts course: Write a paragraph or two about a time when you HEARD an epic story. This is not about seeing it on film or reading. It is about the context and content of listening to an ORAL narrative. Focus on your experience and the context of telling and what impact it had on you.

3 thoughts on “Categories of Art (4): The Colossal Leap – Of a Hero & Of Imagination

  1. I loved reading this post. Took me back to my childhood days seeing Ramayana on TV and seeing my maternal garnd father spending few hours reading ONLY the sundarkand section of Ramayana. When I asked my mother why he read only that section, my mother told me that in all sections of Ramayana, only this was the one that brough good will and blessing for a better life.

    Delightful read. Keep it up.

  2. Reblogged this on The Meta Narratives and commented:
    Art to us in India is a way of living. Many of us do not recognize it, but it is so. There are no specific galleries or exhibitions that one needs to go to pursue or understand art or make it a part of our living. Its in the scriptures, the epics most of us ( irrespective of our religion) are exposed to as children from stories narrated to us to TV programs that remake these epics over and over again, or rituals followed in the households on a daily basis.
    Our lives are so vibrant and colorful because of our rich cultural history and heritage. Its a boon and a bane that such integration of art and culture into our lives exist. Its a boon because the creative and imaginative part of our brains have enough stimulus from early childhood. Its a bane, because we take many things in our culture for granted and do not take proper care in preserving art and art forms- paintings, architecture performing arts etc. And to a great extent we ‘(mis)use’ this heritage to perpetrate discrimination, biases and superstitions. But for a bit lets leave aside the serious bane and misuse of Indian culture and enjoy this lovely post. This post is a beautiful articulation of one such instance of imagining Hanuman, a mythological character from the epic – Ramayana.

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